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A few months ago, around my thirty-fourth birthday, I decided what I really needed was a smaller guitar. A man reaches a certain age, I guess, and after spending most of my life figuring out tunes on a classical guitar, I figured I’d gotten as good at “Wayfaring Stranger” as I was going to get. I thought something smaller might enliven the mix.
There aren’t really any standard guitars more diminutive than my Yamaha classical—I toyed with the idea of a Martin 000-series like Woody Guthrie painted up and played (“This Machine Kills Fascists“). But I realized that my desire to tweak Guthrie’s proto-punk motto into something more comfortably charitable (“This Machine Loves Fascists”? Wait, that doesn’t sound right) would probably make the 000 a not-quite-satisfying axe. Besides, other musical cultures—and more importantly, more-fun-to-say instrument names—beckoned.



The joys and perils of overlapping reading
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There are many reasons why I was never able to finish reading Crime and Punishment—the type was a bit on the small side, the names and the chapters were a little too long, the plot reminded me of a bad experience I had in high school—but, in hindsight, I’d say the blame falls heaviest at the feet of two men. I am speaking, of course, of Gandhi and Hitler.
Allow me to explain.